Add to ORKGAlthough Edward Said, generally known as one of the founders of postcolonial studies, has written extensively on music, he almost completely ignores popular music. However, the few moments in which he does reflect on popular music are highly revealing. In this article I provide a comprehensive overview and a critical analysis of Said’s public statements on popular music, and argue that these strongly create dissonance with his interventions in postcolonial theory and politics. More specifically, I argue that in these reflections on popular music Said voices problematic elitist, orientalist, and universalist claims. Consequently, Said’s notion of popular music constitutes perhaps the most antagonistic aspect of his oeuvre
By the time of his death in 2003, Edward Said was one of the most famous literary critics of the twe...
The British Critical Musicology Group, a forum conceived in West London, in the early 1990s remains ...
Popular music studies generally celebrate the power of music to empower the construction of individu...
Although Edward Said, generally known as one of the founders of postcolonial studies, has written ex...
In my dissertation I analyze the intersections between music and postcolonial criticism in the work ...
The aim of article is to expand the theoretical problematic field of “music in literature” with the ...
My first encounter with Edward Said’s work was in the 1980s with the book, Beginnings: Intention and...
A review of postcolonial theory under the subject of sampling in experimental electronic popular mus...
Popular music studies is approached from a number of disciplinary perspectives. Most recently, music...
"One of the most famous literary critics of the twentieth century, Edward Said's work has been hugel...
It is common in the academic reception of the legacy of Edward Said to limit the analysis of his the...
Popular music represents one of the most ubiquitous and contested arenas within the cultural sphere....
This article throws new light on the troublesome question ‘what is popular music?’ by pursuing a gen...
The aim of this thesis is to analyze the difference between post-BLM media discourse surrounding urb...
Edward Said (1935-2003) was a prominent Palestinian-American cultural theorist of the late 20th and ...
By the time of his death in 2003, Edward Said was one of the most famous literary critics of the twe...
The British Critical Musicology Group, a forum conceived in West London, in the early 1990s remains ...
Popular music studies generally celebrate the power of music to empower the construction of individu...
Although Edward Said, generally known as one of the founders of postcolonial studies, has written ex...
In my dissertation I analyze the intersections between music and postcolonial criticism in the work ...
The aim of article is to expand the theoretical problematic field of “music in literature” with the ...
My first encounter with Edward Said’s work was in the 1980s with the book, Beginnings: Intention and...
A review of postcolonial theory under the subject of sampling in experimental electronic popular mus...
Popular music studies is approached from a number of disciplinary perspectives. Most recently, music...
"One of the most famous literary critics of the twentieth century, Edward Said's work has been hugel...
It is common in the academic reception of the legacy of Edward Said to limit the analysis of his the...
Popular music represents one of the most ubiquitous and contested arenas within the cultural sphere....
This article throws new light on the troublesome question ‘what is popular music?’ by pursuing a gen...
The aim of this thesis is to analyze the difference between post-BLM media discourse surrounding urb...
Edward Said (1935-2003) was a prominent Palestinian-American cultural theorist of the late 20th and ...
By the time of his death in 2003, Edward Said was one of the most famous literary critics of the twe...
The British Critical Musicology Group, a forum conceived in West London, in the early 1990s remains ...
Popular music studies generally celebrate the power of music to empower the construction of individu...